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Mueller, Thomas and Zur, Dinah. "Escaping Nazi Germany". Jüdische Ärztinnen und Ärzte im Nationalsozialismus: Entrechtung, Vertreibung, Ermordung, edited by Thomas Beddies, Susanne Doetz and Christoph Kopke, Berlin, München, Boston: De Gruyter Oldenbourg, , pp.

Mueller, T. & Zur, D. (). Escaping Nazi Germany. In T. Beddies, S. Doetz & C. Kopke (Ed.), Jüdische Ärztinnen und Ärzte im Nationalsozialismus: Entrechtung, Vertreibung, Ermordung (pp. ). Berlin, München, Boston: De Gruyter Oldenbourg.

Mueller, T. and Zur, D. Escaping Nazi Germany. In: Beddies, T., Doetz, S. and Kopke, C. ed. Jüdische Ärztinnen und Ärzte im Nationalsozialismus: Entrechtung, Vertreibung, Ermordung. Berlin, München, Boston: De Gruyter Oldenbourg, pp.

Mueller, Thomas and Zur, Dinah. "Escaping Nazi Germany" In Jüdische Ärztinnen und Ärzte im Nationalsozialismus: Entrechtung, Vertreibung, Ermordung edited by Thomas Beddies, Susanne Doetz and Christoph Kopke, Berlin, München, Boston: De Gruyter Oldenbourg,

Mueller T, Zur D. Escaping Nazi Germany. In: Beddies T, Doetz S, Kopke C (ed.) Jüdisch

Allen Ginsberg &#; First Meeting with William Burroughs

“&#;Tis too starved an argument for my sword” &#; William S Burroughs at Allen’s East 7th St apartment, Fresh York City, Fall Photo by Allen Ginsberg (c). Allen Ginsberg Estate

Allen Ginsberg’s June Naropa class on Jack Kerouac’s (focusing on) Vanity of Duluozcontinues from here. Here Allen recalls his first meeting with William Burroughs

AG: “Voyage” called “The Last Voyage” [Editorial notice &#; included in The Book of Martyrdom and Artifice] – that was, I think, five or ten pages of rhymed couplets, my first enormous long poem (‘cause I thought I was a poet and I was hanging around with Jack). We’d met Burroughs, we’d gone up and seen Burroughs together, but we had met him individually briefly; Lucien Carr had brought me down to Greenwich Village in the summer.. in the Christmas of ’44 – (’43 or ’44) to Morton Street, where a ally of his, Dave Kammerer, lived, who at the time wasn’t home, but Burroughs (who) lived on Barrow Street, around the corner, was there. So that was my first meeting with Burroughs. And

Synopsis

A HAUNTINGLY SENSITIVE Cherish STORY

While their husbands are away on work trips, two bored housewives obtain together to commiserate. One thing leads to another, and they wind up in bed. For one of the women the incident was just a pleasant diversion, but for the other it&#;s turned into a fixation, and when she sees her "lover" going after one of the male neighborhood hunks, things grab a turn for the worse.

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There is something about the tone of exploitation movies from this era. The drained brown and beige of the late hippie-era giving way to garish orange couches and cheap green painted walls has the first hints of the perceived cultural malaise that would become part of the narrative of the decade, an indication of post-free love Americana's dissolution into the coming era of pomp and circumstance. Depressed production values and bad carpets talk volumes in this romantic drama masquerading as sexploitation trash. As a piece of exploitative cinema, this is hardly notable; it's a few lackluster, softcore sex scenes interspersed with basic

Alexander David Feder, also established by his pseudonyms Leonard Friend and Still A Great Night, is an American-born guitarist and harmony producer, born on November 20, In , he became the live stand-in for Brad Delson in Linkin Park's live shows.
Feder has launched multiple solo projects and was part of The XYZ Affair from to He became known as a touring musician, performing for the likes of Enrique Iglesias, Miley Cyrus, and LP.
Early Life
Alex Feder was raised in Potomac, Maryland, born just outside Washington, D.C. He attended the Charles E. Smith Jewish Day School, a small private school which didn't have a lot of music opportunities, but began developing his skills on his own, study to play guitar and drums in middle college and high school.^[1] His love of music began early in life: "The realization that I wanted to be a artist forever hit me swiftly and profoundly at the age of Specifically, I was performing with my cover band at the Bar Mitzvah of a good friend, and as we ripped through the second chorus of “Machinehead” by Bush, I knew that that was it for me. I long for